Media in category sony ericsson ki the following 10 files are in this category, out of 10 total. Saw sony ericsson cell phone online free. Full specifications, sony ericsson k with all details. Also, you will be able to find the latest versions of sony flash tool available to download for windows, linux and mac. This is the ki, usb drivers separately. Stick micro removable storage up to solve any performance issues. The sony xperia flashtool tries to address the xperia devices from sony.
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As to the interface, sony ericsson k is the first sony ericsson cameraphone to offer cyber-shot se v2. And almost the most of the more than enough to. Camera features include an autofocus, a 16x zoom, a xenon flash, a camcorder, a sliding lens cover, pictbridge technology for printing your photos and bestpic.
While the sony ericsson ki is great for pictures, it appears to be at the expense of a comfortable keypad. Review posted octo by lisa gade, editor in chief. Using the air by sony 's traditional m2. Pc charge takes longer then the standard outlet charger because of the amout of voltage a usb port give off. Features including video telephony, how to download for windows 8. APC Back. Find an unbeatable range of sony ericsson ki including cases and covers, screen protectors, chargers, cables and much more, handpicked by industry experts at the uk s leading accessories retailer.
Editor's rating , discuss this product. Here we could hardly wait for windows 8. The major amendments are close enough features including video players. Sony ericsson phone getting spoiled easily. You can try getting alcohol and a q-tip or small pice of cotton and wetting the connectors on the phone then clean it off dry.
Form of course, let alone 6 months. Veloping quality optics should be the first thing to address to give cameraphones some competitive edge against low and mid-end digicams. Also, you may want to intentionally blur a photograph for artistic effect.
In this case you will need to slightly defocus your photograph manually. This is where you may need Manual Contrast. Select saturation Change EV to change Saturation. Sometimes you may need to lower saturation too e. Select WB and Effects Effects: 0. Negative effect reverses the colours. Solarize effect works best with backlit images, where the foreground image is too dark to be clear.
Solarizing lightens up the darker parts of the image without giving them a washed out-look, and it takes the lighter elements and makes them into a color negative. Sepia and Black and White effects give the photos an old fashioned look. Balance Cyan-Red or Yellow-Purple as you desire. Configure with EV as below. Max at 0. USE: Manual Colour balance can help you in obtaining camera effects which are not possible with ordinary camera colours.
Select White Balance. The range in different temperatures ranges from the very cool light of blue sky through to the very warm light of a candle. So unless the temperature of the light is very extreme a white sheet of paper will generally look white to us. It generally cools down the colors in photos.
Select Colour Hue. More sharpness can sometimes result in more noise. Point camera towards any object and then change the EV to any value other than 0. Normally, your camera determines the proper exposure automatically, based on several factors such as the lighting conditions, F-stop, and type of metering used.
By not "locking in" the exposure, the camera will re-calculate it, based on changes to the above factors. Why is Camera Auto Exposure Lock important? One of the main reasons you would want to use exposure lock is when taking a photograph of a scene with significant differences is shadow, light, and contrast. Depending upon the metering mode used, your camera will attempt to "average out" the exposure for the entire photo.
Normally this is great. However, not every time. For situations where you want to emphasize a specific part of the picture, or change the composition to get creative, an "averaged exposure" just won't do.
You can also manually control the exposure through exposure compensation, but using that approach is pretty much trial and error. That is why your camera auto exposure lock or, "AE-Lock" should be the preferred method. However, because compact digital cameras have small sensors, image quality begins to degrade once the sensitivity is set above ISO The higher the ISO, the more noise is introduced in a image. As of this writing, with few exceptions, only Digital Single Reflex cameras provide the cleanest images at high ISO numbers.
Improving sensors Manufacturers have begun to improve the sensors and sensor size used in consumer digital cameras. As a result, shots taken at ISO are cleaner. Even those taken at ISO can be quite useable. And while photos taken at ISO have noise and some minor loss of detail, they can be less no noisier than shots taken at ISO with most other non-dsrl cameras.
Pitfalls of using high sensitivity mode Some cameras have a high sensitivity mode that can be switched on when lighting is low. The mode automatically selects an higher ISO number according to the level of light. When set to high ISO, some digital cameras automatically reduce the image resolution. In other words, if you have a six megapixel camera, you may only be able take high ISO photos at three megapixels. However, Noise Reduction can cause images to look soft. Loss of fine detail and smearing of colors in the original image occurs.
The higher the ISO, the more noise reduction, the more smearing and loss of detail. For important low light shots, shoot at a lower ISO and use a camera support. When shooting in low light, it's better to select an ISO number than let the camera decide for you. Test your camera to see the highest number you can tolerate. Landscape mode Many digital cameras have a Landscape Mode, which is a long distance scene mode also known as Infinity mode.
Landscape mode is represented by an icon that looks like a mountain range. Landscape mode provides maximum sharpness for distant and wide-vista scenes. It is suitable for photographing cityscapes, seascapes, skyscapes and forests. When switching to landscape mode, the focus is fixed at infinity. There is usually no need to check focus before taking a picture. However, if there are objects in a scene, lock focus on one that is about third of the way between the nearest and furthest object.
Infinity mode can be useful when photographing through glass, chain-link fences and other similar scenes that are difficult to determine just where to focus. Landscape mode shutter speed and aperture The digital camera may automatically choose a small lens aperture. This is to provide a deep depth of field. A slow shutter speed may also be selected by the camera when using landscape mode.
If light is low, hold the camera steady or use a camera support such as a tripod. Metering modes Automatic exposure is a standard feature on all digital cameras. The metering system measures the amount of light in a frame and determines the best exposure.
Many cameras have more than one metering mode and each evaluates a scene in a different way. Center-weighted metering Currently the most common digital camera metering system. Center-weighted is the metering system of choice on digicams that do not offer other metering modes. Exposure metering is averaged over the entire frame with emphasis placed on the central area. Used for general and portrait photography. Matrix evaluative metering A complex metering system whereby a scene is split up into a series of zones.
Overall exposure is based on evaluating each zone individually and taking an average of the total light readings. Spot metering Takes a precise exposure reading only at the very center of the frame and disregards the rest. A spot meter is used when a subject is backlit or has bright light upon it and the background is dark, ie. Also useful for macro photography.
Setup mode The factory default settings for digital cameras can be changed via the Setup Mode. File size - Sets the number of pixels recorded for images. Frame number - Select the file name sequence for images. With Continuous setting, images are stored beginning with the highest file number used of the previous memory card. It prevents duplicate file names when images are transferred. Format occasionally for better card performance. It's best to format the card in the camera, not via the computer.
Sounds - set the volume of the beep heard during camera operations. Select OFF if you wish to hear no sound. Monitor - select LCD display options such as brightness and contrast. Power save - To conserve battery power, choose the length of time before the LCD automatically goes off or the camera goes into standby mode.
Other - select a focus mode, set the self-timer, turn the digital zoom on and off. JPEG is a method of compression which significantly reduces the file size of photographic and other continuous tone images.
An image in JPEG format has a. Digital cameras offer several JPEG compression levels and quality settings. For images with the least compression, the loss of quality is usually not seen by the human eye. Keeping jpeg compression to a minimum is a must if you want to print quality photos. Some digital cameras only offer the jpeg file format. They are also processed faster by the camera than the other file formats. Camera settings and scene information are recorded by the camera into the image file.
Examples of stored information are shutter speed, date and time, focal length, exposure compensation, metering pattern and if a flash was used. Data provides insight about how camera settings affect photo characteristics such as exposure, depth-of-field and subject movement. They include web browsers, image editing and organizing programs and some printer drivers. The printer drivers use the information to automatically enhance images, which can result in a better looking prints.
EXIF refers to settings and scene information recorded by a digital camera and embedded within each file. The method to preserve EXIF data varies among editing programs, so check your manual. Photoshop 7 was used to illustrate one of the ways to preseve data in a jpeg. The Save As dialog window opens.
Select a number that gives you a good balance between image quality and file size. The EXIF data will remain embedded in the new file. As a reminder, always edit copies of originals. If you make a mistake, start over using another copy of the original. The option to shoot RAW is available on many advanced and professional digital cameras. Images in this format have a. There is much more latitude controlling exposure than with JPEG files.
When shooting RAW, no processing is done in the camera to the file. As a result, the photographer has total control adjusting elements, such as sharpening or white balance, when editing a RAW file. A separate file is created and all adjustments are kept in the associated file. The RAW format, considered essential by professional and serious photographers, is still not widely used by others.
At this time, RAW files can not be opened with every image editor and can take longer to process when editing. But my digital camera doesn't shoot RAW!?! If you're concerned because your camera doesn't shoot RAW, don't worry.
Many digital camera users find JPEGs, when shot at the highest resolution and lowest compression settings, meet their expectations for image quality. They do, however, take up a more space on a memory card compared to a JPEG. A tiff file also takes longer time to write to the card.
TIFF compression reduces images to about one-third their original size. An image file in this format has a. Aperture: The aperture controls the amount of light that reaches a digital camera sensor. An aperture acts much like the pupil of an eye that opens wider as light decreases to let in more available light. The pupil gets smaller when light increases to reduce the amount of light entering the eye. The combination of aperture and shutter speed are related, and effect the exposure value.
The faster the shutter speed, the larger the opening of the lens and visa versa. The diameter of an aperture is measured in f-stops. A lower f-stop number opens the aperture and admits more light onto the camera sensor. Higher f-stop numbers make the camera's aperture smaller so less light hits the sensor. When an aperture is opened up by one f- stop, the amount of light which reaches the sensor is doubled.
Aperture settings can be used creatively to control depth of field, how much of a photo is sharp in front and back of where you focus on the main subject. The technique is useful for close-up and portrait shots.
Aperture Priority Mode All digital cameras have exposure modes that automatically control the aperture and shutter speed. But many allow you to manually change the aperture. When using aperture priority mode, you change the aperture and the shutter speed is automatically changed to maintain proper exposure.
Lens speed: The speed of a lens is determined by size of the lens opening, known as aperture. The aperture controls the amount of light that reaches a digital camera sensor. Sample lens f-stopsThe diameter of an aperture is measured in f-stops.
A lower f-stop number opens the aperture to admit more light onto the sensor. Higher f-stop numbers close the lens opening so less light gets through. The aperture, or aperture range, is indicated on the front of a lens.
Fast lens A fast lens is one with a large maximum aperture; the larger the aperture, the faster the lens. A lens is called fast because the larger aperture lets more light pass through during a given time span. When more light falls upon a subject, pictures can be shot with faster shutter speeds. The process of reducing the aperture size is called stopping down. One interesting effect of using a large aperture is it greatly reduces the depth of field in an scene.
This is very useful to isolate a subject from the background such as when taking portraitr and some marcro shots. A photographer desiring a large depth of field for instance when photographing landscapes will have to stop the lens down by using a smaller aperture. Photographers who do a lot of low light photography prefer fast lenses. A slow lens lets less light pass through towards the sensor, and exposure times will be longer. Longer zoom lenses are generally slower and have an aperture range.
They are slower at the telephoto end of zoom and faster at the wide end. A slow lens delivers a deeper depth of field. The same is true for a fast lens sopped down. A deeper depth of field can be desirable depending on the visual effect a photographer wishes to capture in a give scene. A slow lens is usually less expensive than a fast one Techniques Fill in Flash or Forced Flash: Using a flash One obvious solution to lighting problems is to use the flash.
A built-in digital camera flash can reach, at most, around 12 feet, sometimes less, rarely more. Subjects are often much farther away than this, so a flash is useless in many situations. Also, if the background is darker than the subject, or some distance away, it will probably not be correctly lit, delivering a picture with a clear subject with a dark or even black background.
To help avoid this use the Fill Flash option, also known as Forced Flash, available on most cameras. Using Fill-in flash Fill-in flash is used to soften dark areas or shadows in a photo when a strong source of light, such as a bright sky, comes from behind a subject. This is called backlighting. You can also use fill-in flash outside when a subject is in the shade. A camera is not as capable as the human at capturing subtle ranges of dark and light.
To help understand how a camera's automatic exposure settings can be fooled in back-lit situations, think of your own eyes. When the sun is bright, you squint to reduce the light coming into your eyes.
A camera's exposure meter acts in a similar manner. The camera is sometimes fooled into "squinting" closing down the aperture because the camera exposes for the background light. Less light comes through the lens and causes foreground objects to become dark. In these types of situations, select the fill-in flash setting on your camera.
Fill-in flash provides a short burst of light which softly fills in dark areas. Color is truer-to-life and more detail appears in dark areas. As a general rule, the person taking the photo should stand with his or her back to the main source of light. If lighting is bad when you're photographing scenery, try to return at a different time of day when light falls on the front rather than behind a subject.
Unfortunately some the resources available for the camera of k are blocked by firmware. New functions as Smart contrast, Face and Smile detection, Smile shutter are blocked by firmware. Leave a few minutes of your time to clean the sensor. To turn off the color correction during the day, simply choose "Flash Off" menu "Flash" or shortcut key " ".
During the night, no color correction works, get a good picture. Shoot-4 times reducing red-eye is forced. So if they do not want to flash just forced open the driver with a text editor and modify this line. Lots of light, the driver recognizes that there are conditions for the colors correction to be enabled. Remember also that the saturation continue working normally!
Now you "user" and "modder" can make your own camdriver and change the functions and values respectively, not depending more than third. You "user" and "modder" can play a bit with the functions and customize their own camdriver to your taste. Always read the information on the sensors and their language, search in the forum esato because the information are available for you "user" and "modder". What is a Xenon Flash?
Some phones have a camera with flash Xenon Xe incorporated.
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